Artist richard estes biography of william

  • His father, William, ran an auto repair shop in Kewanee.
  • Born May 14, in Kewanee, Illinois, to Marie and William Estes.
  • Richard Estes is an American artist known for his Photorealist paintings of cityscapes—particularly the glittering stainless steel surfaces of telephones booths.
  • Richard Estes’ Eye on Manhattan

    Richard Estes, born in in Kewanee, Ill., has been called the father of Photorealism (a.k.a. Super-realism), a Pop Art-inspired, photo-derived style of painting that emerged in the late s. He occupies a seat alongside Chuck Close and Robert Bechtle in the arts pantheon, with works that echo Edward Hopper, Thomas Eakins and George Bellows.

    “Richard Estes: Painting New York City,” on view at the Museum of Arts and Design (MAD) at Columbus Circle through September 20, is the first solo exhibit of the artist’s work at a New York museum. It’s also the first solo painting show at this institution. More than 40 paintings and works on paper — silkscreen and woodcut prints, plus photographs — are presented here, with display cases illustrating the artist’s technique.

    In , two years after graduating from the School of the Art Institute of Chicago, Estes moved to New York, where he has lived in an apartment on Central Park West near MAD for nearly five decades. He worked as an illustrator and graphic designer for ad agencies and magazine publishers before turning his talents full time to painting in

    From then on, he dedicated himself to documenting the city’s streets, storefronts, bridges, buses, subways, diners, movie marquees and waterways in exa

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    Written & Photographed by Kenn Sava (*-unless otherwise credited)

    Show Seen: Edward Hopper&#;s Unusual York @ The Inventor Museum
    Summit 1 expend 3 Parts.

    Introduction

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    Summary of Richard Estes

    When Richard Estes arrived on the New York art scene, Abstract Expressionism had largely run its course. In contrast to the acutely personal, emotional, unstructured, and (some would contend) self-indulgent aesthetic of The New York School, Estes among others introduced a form of painting that emphasized control and an almost machine-like precision. In part, his style emphasized the craft of painting, which was central to the hard-edged, jaw-dropping verisimilitude of photorealistic art. Artists like Estes, Audrey Flack, Chuck Close, and Ralph Goings abandoned the drama of gestural painting and promoted a kind of hyper-realism that seemed more visually descriptive of the increasingly high-tech, post-war age. For Estes, the appeal of the gleaming, reflective surfaces of New York City were irresistible. His paintings, composites of multiple photographs, suggest that the modern world is a sharply articulated one of clean, intersecting lines: orderly and systematic in presenting information about itself. Rather than humans, every kind of material and object tells its own story in an Estes painting to which the artist has always been reluctant to assign symbolic meaning.

    Accomplishments

    • While Estes' paintings appear to be direct, painted copies of pho
    • artist richard estes biography of william