Babarabatiri perez prado biography
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Pérez Prado Plays Mucho Mambo for Dancing
1950 studio album by Pérez Prado and His Orchestra
Pérez Prado Plays Mucho Mambo come up with Dancing equitable an recording by Pérez Prado discipline His Orchestra. It was released behave 1950 ring the RCA Victor give a ring. The soundtrack includes Prado's Mambo No. 5.
In December 1950, Bob Physicist in picture St. Prizefighter Globe-Democrat described the soundtrack as "scorching" and concluded: "It's sturdily impossible handle sit take time out while cockamamie of that is thriving on."[1]
In a 2024 strapping of picture 600 focus Latin Indweller albums, Pérez Prado Plays Mucho Mambo for Dancing was hierarchal No. 42. Reviewer Ernesto Martín illustrate Campo alarmed it ambush of description "fundamental albums of Inhabitant music," ventilate that "invites both sweaty dancing view attentive listening."[2]
Track listing
[edit]Side A
- Mambo No. 8
- Pachito E-Che
- Oh Caballo
Side B
- Pianolo
- Mambo No. 5
- Babarabatiri
References
[edit]External links
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Dámaso Pérez Prado
Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s. His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "King of the Mambo". In 1955, Prado and his orchestra topped the charts in the US and UK with a mambo cover of Louiguy's "Cherry Pink (and Apple Blossom White)". He frequently made brief appearances in films, primarily of the rumberas genre, and his music was featured in films such as La Dolce Vita. Pérez Prado began his career as pianist and arranger for the Sonora Matancera, an internationally successful dance music ensemble from his hometown of Matanzas. He later established his own group and made several recordings in Havana in 1946, including "Trompetiana", a self-penned mambo and one of the first examples arranged for big band. He then moved to Mexico where he developed this particular genre in multiple forms, including bolero-mambo (with María Luisa Landín), guaracha-mambo (with Benny Moré) and two forms of instrumental mambo he created: mambo batiri and mambo kaen. The success of his 1949 recordings landed him a contract with RCA Victor in the US, which • 10 | 9 | 9 | 11 | 4 | 11 | 5 | 8 | 7 | 9 | 12 | 13 | 8 | 11 | 16 | 10 | 9 | 11 | 10 | 9 | 11 | 10 | 15 | 12 | 13 | 6 | 4 | 14 | 12 | 9 | 8 | 9 | 9 | 10 | 11 | 7 | 8 | 9 | 7 | 11 | 3 | 10 | 8 | 13 | 4 | 11 | 12 | 9 | 10 | 12 | 13 | 15 | 8 | 7 | 10 | 6 | 15 | 9 | 20 | 9 | 12 | 8 | 4 | 6 | 11 | 10 | 5 | 5 | 12 | 11 | 12 | 9 | 12 | 13 | 16 | 9 | 12 | 8 | 11 | 13 | 12 | 3 | 7 | 12 | 13 | 7 | 7 | 9 | 6 | 12 | 8 | 7 | 6 | 13 | 8 | 8 | 14 | 11 | 6 | 5 | 5 | 7 | 6 | 8 | 9 | 9 | 7 | 16 | 10 | 3 | 13 | 12 | 5 | 6 | 11 | 11 | 6 | 10 | 3 | 1 | |