Helmar lerski awodah 1934 35 duck
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Israeli cinema: identities in motion 9780292743991, 9780292735606, 9780292725607
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Frontmatter
Introduction (page ix)
Part 1. The Nation Imagined on Film
1. Filming the Homeland: Cinema in Eretz Israel and the Zionist Movement, 1917-1939 (Ariel L. Feldestein, page 3)
2. Helmar Lerski in Israel (Jan-Christopher Horak, page 16)
3. Ecce Homo: The Transfiguration of Israeli Manhood in Israeli Films (Yaron Peleg, page 30)
Part 2. War and Its Aftermath
4. From Hill to Hill: A Brief History of the Representation of War in Israeli Cinema (Uri S. Cohen, page 43)
5. From Hero to Victim: The Changing Image of the Soldier on the Israeli Screen (Eran Kaplan, page 59)
6. The Lady and the Death Mask (Judd Ne'eman, page 70)
7. Coping with the Legacy of Death: The War Widow in Israeli Films (Yael Zerubavel, page 84)
8. The Privatization of War Memory in Recent Israeli Cinema (Yael Munk, page 96)
Part 3. An Ethno-Cultural Kaleidoscope
9. Disjointed Narratives in Contemporary Israeli Films (Nitzan Ben Shaul, page 113)
10. Trajectories of Mizrahi Cinema (Yaron Shemer, page 120)
11. Immigrant Cinema: Russian Israelis on Screens and behind the Cameras (Olga Gershenson, page 134)
Part 4. Holocaust and Trauma
12. The Holocaust in Israeli Cinema as a Conflict between Surviv 1274 The Metropolis Magazine May 2010
Israeli Cinema: Identities in Motion
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Jewish History, Life, and Culture Michael Neiditch, Series Editor
ISRAELI CINEMA
IDENTITIES IN MOTION edited by Miri Talmon and Yaron Peleg
university of texas pressâ•… austin
The Jewish History, Life, and Culture Series is supported by the late Milton T. Smith and the Moshana Foundation, and the Tocker Foundation. Copyright © 2011 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2011 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html
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