Red hong yi tiger painting images
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INFO
Hong Yi (b. 1986, Malaysia)
Red Hong Yi is draft artist escape Borneo, Malaya. Known type the creator who “paints without a paintbrush”, she creates halfbred media installations by reinterpreting everyday materials through depiction accumulation close the eyes to objects. Brush aside combining regular craftsmanship most recent digital profession, she actualizes works delay consider perceptual habits illustrious preconceptions consideration the tactless objects most recent subjects, expressing the themes of women, heritage, enfold, and clime change. Centre of the materials she has used thicken create grouping work tricky eggshells, tableware, teabags, muddy, salt, socks, matchsticks most recent most latterly, copper plates and pixels. She presently leads a team describe four artists and designers at Cottage Red incorporate Kuala Lumpur. Her artworks have bent presented take up the Sphere Economic Mart in Davos, Saatchi Heading in Author, Anchorage Museum in Alaska, and H Queens outline Hong Kong.
康怡是一位来自马来西亚，沙巴婆罗洲的艺术家。具 “不用画笔作画” 的艺术家之名，康怡重新诠释日常物品，以堆积技巧来创造出混合媒体画作。通过结合传统工艺和数码技术，她的作品考量大众对社会问题先入为主之观念，题材涉及女性、种族遗产与气候变化。创作材料包括蛋壳、筷子、茶包、土壤、盐、袜子、火柴以及近期所运用的铜板和像素。工作室位于吉隆坡市中心，她目前带领着一支由艺术制作者及设计师所组成的四人团队。康怡的艺术作品曾在多个国际舞台上展出，如：达沃斯的世界经济论坛、伦敦的萨奇画廊、阿拉斯加的安克雷奇博物馆与香港的H Queens。
CV
2010
Master work for Architecture, Campus of Melbourne
2007
Bachelor of Orchestrate and Desig
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Red Hong Yi prepared her sculpture for World Wide Fund for Nature Singapore’s AR-mazing Tiger Trail 2022 campaign using materials and processes based on those found in traditional crafts. Endangered Forms melds the mission of saving the tiger with her endeavour to keep two art forms alive. Both require passion, dedication and sacrifice.
“I ended up not painting my tiger but caged it up instead to show how, if we continue poaching them, they will become endangered,” says Hong Yi, who works with everyday materials to produce works that highlight symbols, stories and traditions of her roots. “I left the creature bare to express the urgency to stop its numbers from diminishing.”
Hong Yi built the cage using rattan, similar to how the head of the lion used in the lion dance is made. To secure the joints, she used knotting and cording, beautiful art forms that require dedication to thrive.
Fellow Malaysian Katun, known for his graffiti art, sheds tears for the tiger, a constant prey, in his painting titled Rest in Paradise.
“I made the Caspian Tiger my subject as I deeply sympathise with how they are being hunted down and suffer loss of habitat, which leads to their extinction. It is sad to see those vulnerable beasts being mistreated for human benefit,” he says.
“I hope
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Hung Yi was born in 1970 in Taichung, Taiwan. He was once an owner of nine restaurants. At the age of 30, he decided to live his life as an artist when he was nominated as the artist of "Stock 20 in Taichung Railway Station" (2002). He has held many exhibitions in Taiwan, China, USA, Japan and Korea.
Hung’s work is inspired by his surroundings and life experiences. He uses bright primary colours such as red, yellow, blue and green, which are bold and lively. His spontaneous and original style create a unique visual language for Taiwan, which represent the local culture. Smooth lines, colours, happiness and narrative composition are the characteristics of his works.
In Hung’s sculptural world, animals and humans are friends. He takes the inspiration from daily life and gives new meanings to the animals. Through steel moldings and colours, Hung created a visual language to convey the concept of sharing. “Art is life” is aptly reflected in Hung Yi’s sculptures. He performs his art in a way of personification hoping to evoke people’s feeling of pureness through his imaginary organism. He deeply believes that art has great power to bring much happiness to the society.
Hung Yi's major solo exhibitions include the "