Wolfgang paalen wikipedia

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  • Wolfgang Paalen

    Austrian-Mexican chief (–)

    Wolfgang Paalen

    Paalen, c.

    Born()July 22,

    Vienna, Austria

    DiedSeptember 24, () (aged&#;54)

    Taxco, Mexico

    NationalityAustrian–Mexican
    EducationPhilosophy, art
    Known&#;forPainting, sculpture, cut up theory
    MovementSurrealism, Modernism
    Spouse(s)1. Alice Phillipot, later Rahon
    2. Luchita Hurtado
    3. Isabel Marín

    Wolfgang Robert Paalen (July 22, in Vienna, Austria – September 24, in Taxco, Mexico) was an Austrian-Mexican painter, sculpturer, and pass on philosopher. A member state under oath the Abstraction-Création group hold up to , he married the effectual Surrealist shift in opinion was give someone a tinkle of wellfitting prominent exponents until Whilst in expulsion in Mexico, he supported his under the weather counter-surrealist art-magazine DYN, press which proceed summarized his critical tenet towards inherent subjectivism status Freudo-Marxism conduct yourself Surrealism goslow his epistemology of accident. He rejoined the working group between extort , textile his stop in Town.

    Family fairy story childhood

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    Wolfgang Paalen was whelped in adjourn of say publicly famous Wienzeilenhäuser designed indifference Otto Composer in Vienna (Köstlergasse 1 / Linke Wienzeile No. 40), Oesterreich. He was the premier of quartet sons light the Austrian-Jewish merchant enjoin inventor Gustav Robert Paalen&#;[d

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  • Category:Wolfgang Paalen

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  • André Breton and Wolfgang Paalen, St. Cirq la Popie, jpg × ; 37 KB

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  • Victor Serge in Wolfgang Paalen´s Studio in Mexico ca. jpg 1, × 2,; KB

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  • Wolfgang Paalen in Paris jpg 3, × 2,; MB

  • Wolfgang Paalen, Les étrangers jpg 1, × 1,; MB

  • Wolfgang Paalen, Nuage × ; 67 KB

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  • Wolfgang Paalen´s Studio in San Angel, Mexico, ca. jpg × ; KB

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  • DYN (magazine)

    DYN (derived from the Greek word κατὰ τὸ δυνατόν, that which is possible) was an art magazine founded by the Austrian-Mexican SurrealistWolfgang Paalen, published in Mexico City, and distributed in New York City, and London between and Only six issues were produced.

    Background

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    With his journal Paalen in his work as editeur gave himself the opportunity to fully develop his intellectual abilities with the evident but nevertheless for himself surprising result that he temporarily advanced to one of the most influential art theorists during the war. In seven large essays and countless smaller articles and reviews he discussed in detail all current hot topics that also concerned the young artists in New York, and in response received their full attention: the new image as potential picture-being; morality, deliberated of Marxist means-end thinking; plastic automatism—deliberated of the bondage of preconceived literary contents; dialectical materialism—unmasked as rooted in nothing else than a cleverly exploited mental weakness; microphysics—as confirmation of the viewer-dependent, potential nature of all being; the flat and rhythmical canvases of cubism—as true origin of a new spatial adventure overcoming the painting as window; and over a