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Kitty Walshe Exiting Banijay Labels Rdf & Remarkable Verifiable After Consignment Years
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Virtual Pitch Meeting with Hollywood Producer, Natalka Znack
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In the sixth episode of the final season of “Orange Is the New Black,” the steely prison warden Natalie Figueroa settles down, after a long day at work in a corrupt immigrant-detention center, to watch the U.K.’s most popular dating show, “Love Island.” “I want the hot, glistening bodies to zap away my brain and my day,” she says, lying, despondent, on a brown leather couch, the screen before her playing the first episode of Season 4, in which a wedge-chested personal trainer from Newcastle sets his sights on a svelte retail manager from Blackpool.
The moment, a nod from one cultural phenomenon to another, was a tribute to the feral pleasure of “Love Island,” in which ten singles—five men, five women—are dispatched to a sunny villa, where, goaded by a lack of Internet and single beds, they set about finding true love. Around forty potential islanders, including some contestants’ exes, or the exes of their exes, wait on standby to be sent in during the course of the season. In the U.K., the show has become both unprecedentedly popular—its recent episodes attracted more than six million viewers, a record for its broadcaster, ITV2—and bitterly controversial. In , a former contestant, Zara Holland, was stripped of her title as Miss Britain for having had sex on the program. In ,