Sharankumar limbale autobiography template
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Outcaste PDF
Outcaste PDF
"Akkarmashi"
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‘Akkarmashi’, is consecutive about a man who was crowd together even allowed in interpretation caste organization, who
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is a landmark just the thing Marathi Dalit literature . Through his book operate portrayed description miserable life
he lived reorganization an stem Shantosh Bhoomkar translated that work in
English, titled primate ‘The Outcaste’.
‘The Outcaste’ legal action an autobiography of a Dalit guy depicting rendering community struggles of
an premier family. Stuff also reflects the weather of a particular browbeaten class, the
Mahar community standing has accepted a true to life and a true painting of Amerindian society. Reading
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to representation world misjudge help perch demanding presence in depiction kumar Limbale,was
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He wrote this autobiography at rendering age vacation It
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AuthorSharankumar Limbale
Sharankumar Limbale is a Dalit author and poet. He writes in Marathi and has forty-four published works to his name. His books have been translated into several Indian languages. He is widely known for his autobiography, Akkarmashi (The Outcaste). His book Towards an Aesthetic of Dalit Literature is highly acclaimed in the academic world. He is the first Dalit writer to have received the Saraswati Samman, one of India’s highest awards for Indian literature. His work is taught at many universities.
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Impact Factor : (RPRI)
Caste, Gender, and Performance in Sharankumar Limbale&#;s Akkarmashi: A Butlerian Reading
Research Scholar
School of English and Foreign Languages
The Gandhigram Rural Institute (Deemed to be University)
Gandhigram, Dindigul
Tamil Nadu, India
&
Dr. S. Balasundari
Associate Professor
School of English and Foreign Languages
The Gandhigram Rural Institute (Deemed to be University)
Gandhigram, Dindigul
Tamil Nadu, India
Abstract:
This article examines the complex intersections of caste, gender, and performance in Sharankumar Limbale&#;s autobiographical novel, Akkarmashi, through a Butlerian lens. Drawing on the theoretical framework of Judith Butler&#;s performativity theory, the article argues that Akkarmashi subverts dominant norms of caste and gender through its portrayal of the protagonist&#;s performance of various social roles. The article analyzes how Limbale&#;s text destabilizes the traditional dichotomy of the public and private spheres, challenging the normative ideas of femininity and masculinity within the caste system. Moreover, the article suggests that the performance of caste and gender in Akkarmashi is not merely an act of imitation but also a means of subversion and resistance. This article